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oil Painting Culture: conscious expectations
Huang Binhong in his later years (painting) Jin Shangyi the modern aesthetic process of the Chinese nation, the oil painting with the Chinese people filled with the demands have gone through more than 100 years journey. It is different from traditional Chinese painting methods used to build the cultural landscape, not only records of these 100 years of Chinese social life, but also to continuously integrate into the Chinese social life, status and trends of participation in China's modernhand painted oil painting cultural forms and aesthetic value of the building. Contemporary Chinese oil paintings, both on major historical events and a reflection of social reality, oil painting reproductionsanother parade of high winds and daily life, fun performance; both re-"re ...
Huang Binhong in his later years (painting) Jin Shangyi oil Painting Culture: conscious expectations In the modern Chinese aesthetic process, the oil painting with the Chinese people filled with the demands have gone through more than 100 years journey. It is different from traditional Chinese painting methods used to build the cultural landscape, not only records of these 100 years of Chinese social life, but also to continuously wholesale oil paintingintegrate into the Chinese social life, status and trends of participation in China's modern cultural forms and aesthetic value of the building. Contemporary Chinese oil paintings, both on major historical events and a reflection of social reality, photos to portrait oil painting another parade of high winds and daily life, fun performance; both attention to "reproduce" in the use of realist style, but also of "performance" abstraction, distortion, decoration, symbolism, and technique of expression in future. It can be said that in cross-section of contemporary Chinese oil painting art, almost a collection of the West "Classical - Modern - post-modern" history spans the various performance techniques and styles styles, oil painting manufacturersits richness of surprising. However, the prosperous and dynamic periods of contemporary Chinese oil paintings, China oil painting art and artists need to confront the many problems and many challenges need to be addressed, and "look for the source asked," that contains the relevant understanding of the demands. Since the 20th century, 80 years, Zhang Yang individualism, values and personal experiences, from social responsibility, tend to be tolerant of the ideas and practices, on the one hand promoted the diversification of thesupply oil painting development of oil painting art, and partly to digestion with oil painting art social consensus and values, thereby cause cognitive and aesthetic values of "diversity." In contemporary oil paintings, according to this thinking and practiceoil painting supplier tend to a large extent to the mainstream of the impact of the original shape, resulting in the artistic value of the implication and characterization of the lack of dominant tendencies, continuity and consistency. We need to think seriously about the social value of art source of oil painting. The 20th century, 90 years of Chinese art, along with value system of society as a whole are in a regulated state. "Realist" approach has been to emphasize particular, and in practice with them as not analyze, judge and choose a natural theory of "photo real." Specific historical reasons for this lack of "realism" style of work, to the phenomenon or object-image to make a specific and realistic depiction understood as absolute truth, but in fact it only expresses the individual's sensory oil painting wholesalerexperience, and did not address the real life of the universality of as well as the art of true social. As the artist would indulge in absolute value of the individual's "self-expression," most people feel that contemporary art of painting a general lack of "spiritual nature", for the emphasis on the authenticity of realist painting and art, the basis for its survival and development lies not only in order to portrayed the image of the real thing characterized by morphological significance, it needs more prominently manifested in the "real art" to this world to make the personnel in line with the mainstream of social ideology and values of the evaluation, since the European Renaissance history of classical painting full demonstrated this point. Today, adhere to realist painting and artistic creation, in particular the need for "realism" or "truth" value to do something to "find source" task, requiring in-depth study of European china oil paintingclassical painting art in the understanding and grasp of the social value of the historical experience. Since the 20th century, 80 years, emphasizing the concept of revolution and artistic innovation, and strive to get rid of art from the norms and technical standards tend tocanvas ,portrait painting limit the thinking and practice, while greatly expanding the boundaries of painting art, and partly to digestion with people's consciousness about body painting art and morphological awareness, resulting in the quality of its borders and form the "Unwired." To make the healthy development of oil painting, we must in-depth study and understanding of "painting", with its irreplaceable paintings become the field of a particular type of "Tao." Today, the artist painting should be carefully analyzed and summed up the technical learning content of the technical issues need to oil painting and oil painting art of "sustainable development" closely linked, through technical patterns to understand and grasp the cheap oil paintingprofound art of body painting nature and language pure form, revealing its existence to maintain and extend the value of their own qualities, "oil painting of the Road." Oil painting materials, and based on such material properties of the space formed by medium density, texture and shape of strokes feeling in paint the light and colors peculiar to the performance of power and other "painting" of, are identified or significant hair oil painting of the "Dao" basic characterization. oil painting factoryNeglect or abandonment of the "painting" of the "pioneering" and "innovation" is not the development of painting, but rather destroy the painting. After a long creative practice, today's Chinese artists have been foreign oil painting has a certain degree of cultural consciousness, and also may reach a higher degree of cultural consciousness. Oil painting, "asked" the goal setting and pursuit, is to seek to correctly understand and fully grasp the painting art of self-rule to a higher level of cultural awareness to promote Chinese oil painting forward.  |
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